By Ed Staskus
Egidijus and Rokas watched the ensigns, young men strutting between lieutenant and chief warrant officer, step into Connor’s Public House. The navy stood framed in the doorway, the long evening going slowly dark over their shoulders. They both wore white pants, a white shirt over a white t-shirt, a white belt, and a white cap with a black bill. They wore black shoes. There was a single gold bar on their shoulder boards.
“Hey, shut that door, you live in a barn,” someone shouted.
In the next minute, their eyes spotting primetime, they took stools on both sides of a curvy redhead at the bar. They each gave her a smile. She looked them over sparingly scornfully.
“Drift,” she said to the one on her left.
“We just want to buy you a drink,” the one on the other side of her said.
“You, too,” she said.
“Butterbar boys,” said Egidijus. “Nieku nezino.”
“Yeah, they probably do the dishes in the guardhouse,” said Rokas.
“As close to water as they’re going to get,” Giles said.
Egidijus became Giles the minute he landed on Ellis Island.
Sam Ellis never meant his island to be a welcoming place, unless it was the last welcome. Before the first immigrant ever landed there, it was where criminals and pirates were hung. New Yorkers called it Gibbet island, for the wooden hanging post where the dead were left on display as a warning to others.
“She’s got a classy chassis, though,” said Rocky, eyeing the redhead. “Our man is not going to like us snatching him, ruining his night in more ways than one.”
Rokas had been in line behind Egidijus and became Rocky on the spot.
A longshoreman walked in, glanced at the sailors, and parked himself midway down the bar. The bartender poured a draft without asking. The longshoreman took a swig.
“Did you say something to that guy I just saw outside?” he asked the bartender.
“The guy with the feather in his hat?”
“Yeah, that one, who said this joint stinks.”
“That one comes in, wants a glass of water, and asks me what the quickest way is to Mount Kisco,” said the bartender. “I ask him if he’s walking, or does he have a car? He says, of course I have a car. So, I tell him, that would be the quickest way.”
“He was chunky about it, that’s sure. Hey, isn’t that Ratso’s girl?”
“Didn’t she tell them the gate is closed?”
“Yeah, but they didn’t give it any mind.”
“Oh boy, they don’t know from nothing.”
“Keep your head chicky,” said the bartender, tapping his temple with two fingers.
“You said it, brother.”
The Public House was on the corner of Pearl Street and Plymouth Street. The Manhattan Bridge over the East River was a stone’s throw away. The Brooklyn Navy Yard was a cannon shot away. The new Con Edison Hudson Avenue substation, north of John Street facing the river between Jay Street and the Navy Yard, was a light switch away.
“Did you see the game on TV Friday?” asked Giles.
“The TV’s were working, and I saw the problem in black and white,” said Rocky. “No matter that Mickey is going to win the Triple Crown, no matter how many runs they score, if they keep giving up a dozen, they is not going anywhere in October, no matter who they play.”
The Yankees had been in Boston for the weekend, for their last season series at Fenway Park. On Friday night Mickey Mantle hit a home run that tape measured more than five hundred feet. The Bronx Bombers, though, set a dubious club record by stranding twenty runners on base.
The Mick had three hits. Bill Skowron had five hits. The only time the Moose failed to reach base was when Ted Williams made an all-out running diving catch of a screaming line drive in left field.
“He was running like a bunny with his tail on fire,” said Red Barber, after the outfielder got up, checking all his parts.
Yogi Berra threw a man out at the plate. Mickey Mantle threw a man out at the plate. The Yankees crossed the plate plenty enough themselves. But the Red Sox still beat the Yankees, sending almost twice as many runners safely across the plate, 13-7 at the final count.
Mel Allen and Red Barber called the night game on WPIX, the station’s transmitter on top of the Empire State Building spreading the play-by-play out to the five boroughs. The next morning it would be Officer Joe’s turn. The year before weather forecaster Joe Bolton had put on a policeman’s uniform and started hosting shows based around the Little Rascals and Three Stooges. The kids loved Officer Joe’s taste in comedy.
“That ball is go-ing, go-ing, gonnne!” Mel Allen blared when Mickey Mantle hit his soaring blast. “It’s got to be one of the longest home runs I’ve ever seen! How about that!”
Rocky watched the game at the Public House, on Friday night two nights earlier, at the far end of the bar, where one of the bar’s two RCA Victor portable TV’s squinted down on him from high up on the wall.
“Did you say something?” one of the sailors said, turning to Giles and Rocky in the booth opposite them.
“Hello there everybody,” Mel Allen said to start the televised live baseball game broadcast.
“This is Red Barber speaking,” said Red Barber. “Let me say hello to you all. Mel and I are here in the catbird seats.”
“Three and two. What’ll he do?” Mel asked as the game neared its end and the last Yankee hitter squared up in the batter’s box.
“He took a good cut!” he exclaimed when the pinstriped slugger struck out to finish the game. “Tonight’s game was yet another reminder that baseball is dull only to dull minds,” said Red. “Signing off for WPIX, this is Red Barber and Mel Allen.”
“Hey, you, did you say something about washing dishes?” the sailor said again, standing up, his friend standing up, too, and Ratso Moretti in the meantime walking down the length of the bar from the men’s room towards them, having spotted the sailors buzzing his queen bee.
The redhead swung her stool around to the bar, crossed her legs, and played with the swivel stick lolling in her gin martini glass.
“Who the fuck are you two rags?” Ratso barked at the sailors, glaring up at them from under the brim of his black felt pork pie hat, baring his sharp front teeth. “Why are you sitting with my lady?”
Giles and Rocky leaned back on their seat cushions, their backs against the wall. Rocky stretched his legs out. Giles popped a toothpick into his mouth.
“What do you plan on doing about it, little man?” asked the bigger of the two sailors. Ratso was short. The sailors were both tall.
Ratso took one step back, reached down for his fly, unzipped it, and flashed the handle of a Smith & Wesson .38 Chiefs Special revolver. It was the kind of gun carried by plainclothes and off-duty policemen. He kept his hand on the gun while looking straight at the two sailors.
“Hit the road, Clyde,” he said. “You, too, whatever your name is.”
The sailors backed down and backed out of the bar. Nobody paid any attention, everybody focused on the back-out out of the corner of their eyes. When the white uniforms were gone, and he had zipped back up, Ratso sat down next to his squeeze and wrapped his arm around her waist.
“Meanwhile, back at the ranch,” said Rocky.
“At least now we know where he hides it,” said Giles.
Bartek and Karol were at the far end of the bar. They didn’t want anything to happen just right now. They wanted Ratso Moretti to stay snug with his girl, drinking on an empty stomach, stretching the night out. There were four of them and only one of him, but he was a psycho crazy man. Karol knew it for sure, and told the others, and it was the number one thing, he said, they had to remember. There was no sense in letting it go down the drain.
“Did you find a plumber this morning?” Rocky asked Giles.
“No, because not only does God rest on Sundays, so do all the plumbers in Brooklyn.”
“What did you do?
“I fixed it myself.”
One of the toilets in the women’s bathroom in the parish hall next door to St. George’s Church on York Street sprang a leak after mass. The Lithuanian Roman Catholic congregation was around the corner from the Irish Roman Catholic St. Ann’s Church on the corner of Front and Gold Streets. Lithuanians made up more than half of everybody who now lived in Vinegar Hill, but they had never been embraced by the Irish and their church, so they built their own.
St. George’s had three arched doorways, three arched second-story window assemblages, and a stepped façade with a cross on top. It looked first-class when the sun was shining on it. It looked first-class at midnight in a thunderstorm.
“What was the problem?”
The parish priest dragooned Giles on his way out of the parish hall.
“Prasome, galite padeti?” asked the priest.
“The wax ring, that’s all it was.”
“Where did you find a wax ring on a Sunday?”
“My old man. He’s always loaded for bear.”
“Did you miss breakfast?”
“No, mom warmed it back up for me, fried some more eggs, fresh coffee, and a torte.”
When Ratso Moretti hopped off his bar stool, and his girl slid off hers, and they walked out the front door, Karol and Bartek went out the back door, Giles and Rocky following Ratso out the front.
“Goddamn it!” Ratso cursed turning the corner into the quiet side street next to the Public House where he had parked his new car. He looked down at the driver’s side front tire Karol had flattened with his switchblade before going inside.
“What’s the matter mister?” asked Giles.
“Flat tire,” said Ratso.
He recognized the young man and the other one from the bar.
“Need a hand?”
“I’ve got all the hands I need,” said Ratso.
Giles fired up a cigarette, watching and waiting. Rocky leaned against a lamp pole. Ratso opened the trunk of the car, looking over his shoulder at them, and hunched at the tire to loosen the lug nuts.
“This ain’t a show,” he said.
“It is to us.”
When Ratso struggled with the last stubborn lug nut, Giles flicked his still lit cigarette butt at the redhead, who was standing in space, bouncing it off her midriff. She squealed in outrage, Ratso twisted toward her, and Giles, Rocky, Karol, and Bartek rushed him, two from the front and two from the back.
As Ratso started to stand up, Karol kicked him as hard as he could in the groin, the holstered gun Ratso trying to reach adding insult to injury. He doubled over, grabbed his stomach, fell over, and lay on the ground in a fetal position. His eyes ran rainwater and he threw up.
Bartek threw a muslin cloth bag over Ratso’s head and tightened the drawstring. Karol tied his hands behind his back with clothesline. Bartek reached into Ratso’s pants and pulled out the holster with the small revolver. He went to the passenger side front door and tossed the holster and gun into the glove box of the Chevy.
While Giles and Rocky hauled Ratso to Karol’s hunk of junk behind the Public House, Bartek turned to the redhead.
“Vamoose,” he said sharply. “And keep your mouth shut, or we’ll take you next.”
She backed away, smoothed her skirt, gave him a smile, cute cunning snaky light on her feet, and walked back into the Public House.
“Durna mergaite,” Giles said.
“Yeah, but steamy,” Rocky said.
“Going to be a hell-wife.”
At the mouth of the intersection they heard a bullhorn, “Get your hot knishes, I got to send my wife to the Catskills, get your knishes.”
The truck was light blue dented and dirty. It was three-wheeled, a cab pulling a cart, with a Saint Bernard-sized pretzel on top. A sign on the side said, “Hot knishes & pretzels, 10 cents, 3 for $.25.”
“Hey, what kind of knishes do you have?
“I have kasha or potato.”
“I’ll take three potato.”
“Sorry, all I have is kasha.”
There was a tin saltshaker tied by a string to the cart. The pastry was hot with buckwheat groats inside. The brown bag the street vendor put them into instantly became saturated with enough oil to deep fry three more knishes. He poured in a handful of salt.
“You’re out of your neighborhood, working late,” Giles said.
“It’s my wife,” the Jew said.
Giles and Rocky both got bottles of cold Orange Crush.
“Thanks, boys, we’ll settle up tomorrow,” said Karol when Ratso was safe and sound in the trunk, his feet tied together and hogged to his bound wrists so that he lay like a sad sack of potatoes on his side, still groaning.
Giles touched his forefinger to his thumb and pointed the remaining three fingers of his right hand straight up.
Karol and Bartek drove to Sunset Park, turned onto 53rd Street at 3rd Avenue, and finally pulled into and parked behind a three-story abandoned brick building. On the side of the building a painted billboard advertising “R. Moses & Son, Men’s Clothes” was fading away. The storefront’s windows were boarded up and the other windows on every floor were dark.
They manhandled Ratso through a back door and into a small featureless room. A table lamp on the floor tried to make sense of the dark with a 40-watt bulb. Stan was standing in a corner in the shadows smoking a cigarette. They dropped Ratso on the floor. Bartek stood sentry at the door.
“Let him loose, except for his hands,” said Stan.
Karol untied Ratso’s feet, yanked the bag off his head, and moved back to stand next to Bartek. Stan stayed where he was, in the gloom. Ratso stayed where he was, too. He felt better, but he still felt horrible. He had a weird stomachache.
“Tell me about Jackson Pollack,” said Stan.
“I don’t know no Polacks,” said Ratso.
“You know us now,” Karol said under his breath.
“Not Polacks. I said Pollack, as in Jackson Pollack, the painter.”
“I don’t know no painters.”
“Why did you jump my associate the other night?”
“I don’t know no associates. Who the fuck are you, anyway?”
“I don’t know how your sack is feeling, but if it was me, I wouldn’t want it to happen again, especially not now, not so soon,” said Stan.
“What do you want?”
“What were you doing in the middle of the night outside the shrink’s office? Why did you jump my man? What does Jackson Pollack have to do with Big Paulie?”
“You’re a dead man when Luca finds out about this,” Ratso said, terse vehement.
Stan stepped forward, bent down, and framed an inch with his fingers in Ratso’s red face.
“You’re this close to being a dead man,” he said.
He aimed a kick at Ratso’s nuts. The little man rolled over in a flash. Stan kicked him in the side, aiming for his kidney. Ratso gasped in pain and rage. Stan stepped over him, bent down again, nose to nose with the convulsing thug.
“You’re going to tell me what I want to know,” he said.
It didn’t take long. After Ratso Moretti ratted out Big Paulie and Park Avenue and they had hog-tied him again, Stan Rittman stopped at a phone booth on his way home, the cab driver waiting at the curb, and called the desk sergeant at the 17th Precinct. He told him where to find Ratso, told him he wanted to confess to assaulting Ezra Aronson four nights earlier, and wanted to be held in custody for his own protection.
“Does he need medical attention?” asked the sergeant.
“No, he’ll be fine, just a few bumps and bruises.”
“What do I tell the captain? Is anybody going to be looking for Morelli, trying to spring him?”
“Nobody except his bad girl knows anything, but she was a good girl the last we saw her and promised to stay quiet. Ratso’s car is just outside the Public House in Vinegar Hill. His gun is in the glove box. It’s a Chiefs Special.”
“You don’t say.”
“You might want to have that gun run up, ballistics might find it matches something.”
“OK, we’ll have a car there in five minutes-or-so.”
Ten minutes later three policemen and a plainclothes officer spilling out of two cars flash-lighted their way into the back of the building, hauled the left in the lurch Ratso Moretti out the door, untied him then handcuffed him, tossed him face first into the back of one of the radio cars, and drove him to the 17th Precinct, forcing him into a basement cell at the end of a hallway, and forgetting about him for the rest of the next week.
Thirty minutes later Stan Rittman was home in Hell’s Kitchen, in one of his two orange wingback armchairs, a bottle of Blatz on the coffee table, while Mr. Moto licked his chops on the sofa on the other side of the table. Stan took a pull on his bottle of beer and watched the cat. He thought about getting another one to keep him company, but Mr. Moto didn’t seem to mind his solitary life.
He slept and ate and slept some more. He went out on the prowl. Sometimes he sat on the fire escape, seeming to be thinking.
Mr. Moto liked Puss ’N Boots best, fish followed by chicken followed by beef followed by any other meat. He wasn’t picky. He didn’t think it did any harm to ask Stan for what he wanted, since the story of cats was the story of freeloaders. Stan kept Mr. Moto carnivorous with his poker winnings.
“Puss ‘N Boots adds the Plus!”
He wasn’t a mixed-up cat. He lived day-to-day, every day a new day, taking what came his way. He liked fresh water and food in the morning, a long nap from late morning into the late afternoon, and a clean supply of Kitty Litter when he couldn’t get down to the flowerbeds.
“Ask Kitty. She Knows. It absorbs and deodorizes. Takes the place of sand.”
Stan had stopped at Manganaro’s Grosseria Italiana, on his way home, a sandwich shop, restaurant, and grocery on 9th Avenue, for a slice of Hero-Boy. The entire six-foot hero, if you wanted it, was 22-pounds and cost $16.50. The wait staff was surly, but the sandwiches were worth the wait. He took a bite, chewed, and washed it down with his beer.
Ezra was out of the hospital. He would stop and see him tomorrow morning, tell him they had snatched Ratso, who had spilled his guts, but it still wasn’t clear what was going on. It looked like Dr. Baird had engineered Jackson Pollack’s death somehow, but why? Where was the pay-off in it? Vicki said that since Jackson Pollack had died unexpectedly, had died young, and had simply died, there weren’t going to be any more paintings by him. Since he was well known, by collectors and museums, prices for his art were going to go up.
“He was in demand, now he’s in big demand, especially the drip paintings,” she said. “But nobody kills a painter to make a profit on his art, not even in New York. It’s a long-term investment, not like kidnapping somebody for the ransom.”
He would sort it out next week. Stan finished his sandwich, finished his bottle of beer, and went to bed. Mr. Moto followed him, curling up just inches from Stan’s face, and was asleep fast faster fastest. He had never been bothered by insomnia. In the middle of the night, in the middle of a dream, he pricked up his ears.
Mr. Moto could smell a rat when he had to. When he went to the bedroom window, though, it was just a ladybug on the sill. It was red with black spots. He stretched up on his hind legs and sniffed the bug, which opened its wings, flew in circles, and landed on his nose.
“Ladybug! Ladybug! Fly away home. Your house is on fire. Your children shall burn!”
Mr. Moto believed ladybugs were lucky. He believed when a ladybug landed on you your wishes would be granted. He also believed it was unlucky to harm them. He licked the bug off his nose and spat it out through the open window. He jumped on the ledge, crouched, and watched the bug fly out into the big city.
In his jail cell at the bottom of nowhere, Ratso Morelli tried to stare down the big brown rat staring at him. The rat wasn’t having any of it. Nobody was going to stare him down in the rat homeland.
Four hours later, near the end of the night, near the onset of dawn, while a dead on his feet policeman watched, now that it was all over and the car had been searched and dusted for fingerprints, a tow truck hooked the new Chevrolet with a flat tire and dragged it off Vinegar Hill to the NYPD Tow Pound.
Photograph by Vivian Maier.
Excerpted from the crime thriller “Stickball” at http://www.stanriddman.com.
Ed Staskus posts feature stories on Paperback Yoga http://www.paperbackyoga.com, Lithuanian Journal http://www.lithuanianjournal.com, and State Route Two http://www.stateroutetwo.com. Click “Follow” on a site to get its monthly feature in your in-box.