
By Ed Staskus
The Terminal Tower in downtown Cleveland was all lit up the day it was dedicated in 1930. An oversized strobe light on top of the tower went round and round in circles. All through the decade the light helped ore freighters find their way to the Port of Cleveland. Airplane pilots used it as a beacon to locate the Cleveland Municipal Airport.
All the external lights were turned off at the start of World War Two and not turned back on again until 1974, nearly thirty years after the war ended. Nobody knows why, although it was most likely to save money while the city’s post-war economy struggled. Today the landmark skyscraper’s lights are hundreds of LED lights that can be configured into all kinds of color schemes. The week leading up the 11th International Lithuanian Song Festival in Cleveland the lights were configured in red, green, and yellow. The colors are the colors of the Lithuanian flag.
The earliest Lithuanian flags were war flags in the 15th century. They were red banners depicting an armored knight on horseback. He bore a shield and an upraised sword. The tricolor flag goes back to 1918, during Lithuania’s first period of independence in the 20th century. After 1944, when the Russians again occupied the country, it was changed to a garden-variety Soviet flag. The tricolor was resurrected in 1988, two years before the re-establishment of the country’s independence. The Russians didn’t like it, but by then they couldn’t do much about it.
The first Lithuanian Song Day was staged in Kaunas, then the capital of the country, in 1924. Choirs advertised for new members, stipulating that they “should have good voices so as not to take up unnecessary space.” They were instructed to pronounce sounds clearly and not tap their feet to the beat. Three thousand singers eventually sang and ten thousand listeners listened.
The event unfolded on the Square of Games and Parades, which was a field where units of the Lithuanian Army often marched around. Wooden towers resembling ancient castles were built. Two holes were dug and made into ponds so as to improve the acoustics. An Agricultural Fair was held the same weekend. There were plenty of cured sausages and plenty of vodka. When the singing was over men and women belted out the national anthem in the night while “walking away staggering and holding on to each other.”
Afterwards one of the organizers said, “As long as I have been alive, and I have been alive for a very long time, I have not heard anyone sing the national anthem so perfectly.” It was unclear whether he meant the choristers or the late night revelers.
in 1946 Song Day moved to Vilnius, which had been restored as the capital, where it remains to this day. It has become a major cultural event known as the Lithuanian Song and Dance Festival. It is produced every four years. The event in 2024 featured twelve thousand singers in four hundred and fifty choirs. More than one hundred thousand people attended. The live stream was viewed by three hundred thousand people. It is on the UNESCO list of attended. The Masterpieces of the Oral and Intangible Heritage of Humanity.
The international version of the song festival continues the tradition among the diaspora in North America. It has been staged twice in Toronto and eight times in Chicago since the 1950s.The 2025 host was Cleveland, after ten years of there not having been a festival. It was the first time the songfest was staged in the northeastern Ohio city.
“It’s just amazing,” said Festival Artistic Director Kristina Kliorys. “I’m so proud as a native Clevelander that it’s finally come here. It’s very central to a lot of these Lithuanian communities in Chicago, Detroit, Pittsburgh, and Toronto.”
The festival brought one thousand five hundred choristers in sixty five choirs together to celebrate Lithuanian musical heritage. They were joined by an orchestra of traditional Lithuanian folk instruments as well as performances by one hundred folk dancers.
“Our song festival is the literal coming together of a nation in song,” said Co-director Aleksandras Stankevicius. “Choirs of many ages gather to perform a single, coordinated repertoire, expressing their shared love of music and the vitality of their culture, nationality.”
The choirs came from all over. “We come together in both small and large groups,” said Nijole Benotas, a Toronto-based media liaison. “We call ourselves a choir and we sing. Our soul feels a goodness, a peacefulness, as though through song we have returned home. Perhaps some outsiders will think it is strange to see a singing group with five members, or a choir where adults, youths, and children sing together as though they were a family. For those of us living in the North American diaspora, such groups are not uncommon and cause us no surprise. The festival organizers have welcomed everyone and are delighted to have enthusiastic performers and choir leaders. And especially important, our school and youth choir singers are the new generation. They will be the creators and singers of future Song Festivals, and, like us, will continue to carry the legacy – traditions, language, song, and Lithuanian identity – for many years to come.”
The theme song of the Song Festival in Cleveland was “One Family – One Nation.” It was composed by native Clevelanders, the music by Rita Cyvaite-Klioriene and the lyrics by Nijole Kernauskaite. The through line was “Our homeland will live on, across the seas the earth cries out to us to be strong.”
“We’re very excited that Cleveland was chosen as the host city for this Song Festival,” said Ingrid Bublys, a Clevelander who is an Honorary General Consul of the Republic of Lithuania. “Since 1993, Cleveland and Klaipeda, Lithuania’s seaport, are sister cities. Many Lithuanians in Cleveland contribute to the community’s artistic, cultural, and commercial scene. Song is the mother of all languages. Just to experience the voices of all those choristers and Lithuanian national instruments is a gift rarely available. We’re proud to showcase our culture and celebrate together in song. Our songs speak of the beauty of our country and the yearning to be free. Through song, we hope to introduce others to this ageless country by the Baltic Sea.”
The festival ran for three days. There was a welcoming party at Windows on the River on Friday. There was a separate Voices of Lithuania concert on Saturday. Ther was a Roman Catholic mass at the Public Auditorium on Sunday morning. When the festival closed there was dinner and dancing. Toasts were made and glasses hoisted. It lasted past midnight.
There were thirty seven songs sung during the culminating show on Sunday at Cleveland’s Public Auditorium. “We also had translations on screens and in a printed program so folks knew what we were singing about.” Kristina Kliorys said. The show started with a prayer and the national anthems of Canada, the United States, and Lithuania. The program was in four parts. The parts were: We Were Born Lithuanian; The Place of My Dreams; And the Sun Rose, Again Awaking the World; and Let’s Open the Hope Chest of Song and Dance.
“When the displaced people fled Lithuania, they hoped to return,” Ramute Kemežaitė-Kazlauskienė said. “They didn’t want to leave. But once they arrived in the United States or Canada, preserving their Lithuanian identity became paramount. I got chills from head to toe during the festival. Lithuanian song lives in my heart and in my home, passed down from my mother.”
Songs can be a lifeline. They vibrate in memory, like time capsules.
“I was born in Kaunas just before the end of the war. My family fled, and I grew up in America,” Sister Ignė Marijošiūtė said. “When you lose a part of your cultural identity, you long for it. In the diaspora, you must choose to preserve it. Song and dance are essential.”
“This is the biggest event every Lithuanian chorister waits for,” Asta Vaičekonienė, director of the Seattle Lithuanian Choir, said. “We sing with deep emotion, because through song we touch the soul of Lithuania, even its very soil.”
It’s often been said that music and song is the speech of angels. The songs of Lithuania are songs of love for the land on the Baltic Sea.
“People scattered across North America come together at these festivals, whether for song or dance, to celebrate and reconnect,” Darius Polikaitis, a conductor and choir master from Chicago, said. “There’s a kind of spiritual uplift in that shared experience.”
Kristina Kliorys said the Song Festival fit in perfectly among Cleveland’s melting pot of ethnic communities. There are more than a hundred ethnic communities in Cleveland, from Hungarians and Armenians to Arabs and Puerto Ricans.
“It is just so powerful and moving to have the synchronicity of that many people just making music together at the same time,” she said. “It’s just so uniting and so beautiful bringing us together. We really need peace, unity, and togetherness these days.”
Ed Staskus posts monthly on 147 Stanley Street http://www.147stanleystreet.com, Made in Cleveland http://www.clevelandohiodaybook.com, Down East http://www.redroadpei.com, and Lithuanian Journal http://www.lithuanianjournal.com. To get the site’s monthly feature in your in-box click on “Follow.”
“Bomb City” by Ed Staskus
“A police procedural when the Rust Belt was a mean street.” Sam Winchell, Beyond Books
Cleveland, Ohio 1975. The John Scalish Crime Family and Danny Greene’s Irish Mob are at war. Car bombs are the weapon of choice. Two police detectives are assigned to find the bomb makers. Revenge is always personal. It gets personal.
A Crying of Lot 49 Publication









